English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
86
Librairie
Musicale
0
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
11
PIANO & CLAVIERS
Piano seul
15
Orgue
5
Piano Quatuor: piano, violon, alto, violoncelle
1
GUITARES
VOIX
Chorale SATB
10
Chorale TTBB
2
VENTS
Clarinette et Piano
1
CUIVRES
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violoncelle, Piano
3
Violon et Piano
2
Trio à Cordes: violon, alto, violoncelle
1
Alto, Piano
1
Violon
1
Alto seul
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
9
Orchestre de chambre
2
Orchestre d'harmonie
1
AUTRES
Vous avez sélectionné:
Adrian Gagiu
Partitions à imprimer
86 partitions trouvées
<
1
26
51
76
"Te Deum", op. 5 - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adr…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
$49.99
46.66 €
#
Orchestre
#
Adrian Gagiu
#
Adrian Gagiu
#
"Te Deum", op. 5 - Score Only
#
Adrian Gagiu
#
SheetMusicPlus
Cantata 'Ein feste Burg', op. 42 (full score and vocal score)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1236835 Composed by Adrian…
(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1236835 Composed by Adrian Gagiu. Arranged by Adrian Gagiu. Baroque,Christian,Classical. Octavo. 96 pages. Adrian Gagiu #832359. Published by Adrian Gagiu (A0.1236835). Full score and vocal score of the revision (2023) of an exercise in Baroque style: a cantata for mixed choir, 4 vocal soloists, 2 oboes, 2 trumpets, 3 trombones, timpani and organ, based upon Martin Luther's famous chorale and composed in 2011 for the music associations ('Musikräteâ) of SaxonyâAnhalt, Saxony, and Thuringia, and for the project office of the Evangelical Church in Germany (EKD) 'Luther 2017 â 500 Years of Reformationâ. Mostly festive and grandiose, inspired by Handel's great choruses from his oratorios, and fit for Christian celebrations, especially for the Lutheran church. Set in four movements, with Luther's lyrics (in German). Total duration: 26 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the first movement.
$21.99
20.52 €
#
Chorale SATB
#
Adrian Gagiu
#
Adrian Gagiu
#
Cantata 'Ein feste Burg', op. 42
#
Adrian Gagiu
#
SheetMusicPlus
Prelude, Fugue and Chorale for organ, op. 72
Orgue
Organ - Level 4 - Digital Download SKU: A0.1004700 Composed by Adrian Gagiu. Arrang…
(+)
Organ - Level 4 - Digital Download SKU: A0.1004700 Composed by Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Contemporary. Score. 8 pages. Adrian Gagiu #4631455. Published by Adrian Gagiu (A0.1004700). Prelude, Fugue and Chorale in B minor for organ, op. 72 (2018, revised 2019), is an energetic composition in Neo-Classical/Neo-Baroque style. It starts as a dramatic but brooding Prelude, mostly with Impressionistic, seventh chord harmonies and with allusions at Bach's great Fantasia and Fugue in G minor BWV 542, ending with a very short quotation from Carl Orff's De temporum fine comoedia, which provides also the (bi)tonal structure for this entire composition.
$5.95
5.55 €
#
Orgue
#
Adrian Gagiu
#
Adrian Gagiu
#
Prelude, Fugue and Chorale for organ, op. 72
#
Adrian Gagiu
#
SheetMusicPlus
Cantata 'Ein feste Burg', op. 42 (instrumental parts)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1236842 Composed by Adrian…
(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1236842 Composed by Adrian Gagiu. Arranged by Adrian Gagiu. Baroque,Christian,Classical. Octavo. 74 pages. Adrian Gagiu #832373. Published by Adrian Gagiu (A0.1236842). The instrumental parts of the revision (2023) of an exercise in Baroque style: a cantata for mixed choir, 4 vocal soloists,2  oboes, 2 trumpets, 3 trombones, timpani and organ, based upon Martin Luther's famous chorale and composed in 2011 for the music associations ('Musikräteâ) of SaxonyâAnhalt, Saxony, and Thuringia, and for the project office of the Evangelical Church in Germany (EKD) 'Luther 2017 â 500 Years of Reformationâ.Mostly festive and grandiose, inspired by Handel's great choruses from his oratorios, and fit for Christian celebrations, especially for the Lutheran church.Four movements, total duration: 26 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the first movement. Set in four movements, with Luther's lyrics (in German). Total duration: 26 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the first movement.
$16.99
15.86 €
#
Chorale SATB
#
Adrian Gagiu
#
Adrian Gagiu
#
Cantata 'Ein feste Burg', op. 42
#
Adrian Gagiu
#
SheetMusicPlus
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig v…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00
93.34 €
#
Ludwig van Beethoven
#
Adrian Gagiu
#
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
#
Adrian Gagiu
#
SheetMusicPlus
Haiku No. 2 "Night Sleet"
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1004701 Composed by Adrian Gagiu. 2…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1004701 Composed by Adrian Gagiu. 20th Century,Contemporary. Score. 5 pages. Adrian Gagiu #4767217. Published by Adrian Gagiu (A0.1004701). Evocative piece for piano with complex, colorful chords in Impressionistic and Modernist style. Appropriate for piano students. Duration: 4 min. Performing Rights Organization: SOCAN.
$3.99
3.72 €
#
Piano seul
#
Adrian Gagiu
#
Haiku No. 2 "Night Sleet"
#
Adrian Gagiu
#
SheetMusicPlus
"Hamlet", op. 64
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1004729 Composed by Adri…
(+)
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1004729 Composed by Adrian Gagiu. 20th Century,Contemporary,Opera. Octavo. 347 pages. Adrian Gagiu #6412579. Published by Adrian Gagiu (A0.1004729). Opera in 3 acts for 12 singers, choir and orchestra, in English, on a libretto by Gene Tyburn adapted after Shakespeare's tragedy. Neo-Romantic style, with some colorful, Impressionist harmonies and expressive vocal lines, mostly gloomy and brooding, but also with ironic and dramatic moments.
$35.99
33.59 €
#
Adrian Gagiu
#
"Hamlet", op. 64
#
Adrian Gagiu
#
SheetMusicPlus
Canticles of Mary and Simeon, op. 77
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1004720 Composed by Adrian…
(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1004720 Composed by Adrian Gagiu. 20th Century,Christian,Contemporary. Octavo. 19 pages. Adrian Gagiu #6201665. Published by Adrian Gagiu (A0.1004720). Contemporary tonal and modal setting in G for SATB chorus and organ of the traditional canticles, based on the ancient tonus peregrinus and two archetypal pentatonic scales. Each of the canticles is treated in various textures, homophonic and polyphonic, with corresponding themes and mirroring sections that are contributing to the unity of the composition, and is framed by a meditative organ prelude, interlude and postlude, respectively.
$7.99
7.46 €
#
Chorale SATB
#
Adrian Gagiu
#
Canticles of Mary and Simeon, op. 77
#
Adrian Gagiu
#
SheetMusicPlus
"Sphynx", op. 33 no. 5a
Alto seul
Viola Solo - Level 3 - Digital Download SKU: A0.1004714 Composed by Adrian Gagiu. 2…
(+)
Viola Solo - Level 3 - Digital Download SKU: A0.1004714 Composed by Adrian Gagiu. 20th Century,Contemporary. Individual part. 1 pages. Adrian Gagiu #5041073. Published by Adrian Gagiu (A0.1004714). Arrangement for solo viola of Sphynx (Homage to Enescu), op. 33 no. 5 (2007), a neoclassical piece for solo flute based on motifs from Enescu's oeuvre and traditional Romanian music. Duration: 3 min. 30 sec. Performing Rights Organization: SOCAN.
$3.99
3.72 €
#
Alto seul
#
Adrian Gagiu
#
"Sphynx", op. 33 no. 5a
#
Adrian Gagiu
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
196.01 €
#
Orchestre
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the âFilioqueâ (which would still fit the rhythm of the repeated âqui ex Patreâ, should any Catholics ever wish to perform this as a mass) make it rather a âliturgical oratorio for all nationsâ, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composerâs first contact with Beethovenâs masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), ârex caelestisâ and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the âanabasisâ gesture at âGloria in excelsis Deoâ, âet ascendit in caelisâ, âin remissionem peccatorumâ and the resurrection, a flute trill standing for the Holy Spirit who has come âlike a doveâ at âet incarnatus estâ, a cross-shaped texture at âcrucifixusâ, and some word-painting (hushed sonorities at âet invisibiliumâ, anticipations between orchestra and chorus at âet exspectoâ etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). âKyrieâ is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrinaâs serene modality and counterpoint. âGloriaâ begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. âCredoâ has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn âPange linguaâ, made famous by Mozartâs last symphony and by other Classical composers. Both âGloriaâ and âCredoâ end with extended, powerful and elaborate fugues (âin gloria Dei Patrisâ and âet vitam venturi saeculiâ, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the wordsâ accents, a la Stravinsky. The same sections plus âAgnus Deiâ end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of âSanctusâ). âJudicareâ quotes the beginning of the well-known âDies iraeâ plainchant tune, and the Consecration between the âSanctusâ and âBenedictusâ sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens âAgnus Deiâ, which includes another quotation (the famous âDresden Amenâ at âqui tollis peccata mundiâ and âdona nobis pacemâ). In the final section, with its refined simplicity, the choral voices enter in descending order, and the âKyrie eleisonâ theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
82.13 €
#
Chorale SATB
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
"Zealous Light", op. 63 no. 3
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004719 Composed by Adr…
(+)
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004719 Composed by Adrian Gagiu. 20th Century,Contemporary. 5 pages. Adrian Gagiu #5304419. Published by Adrian Gagiu (A0.1004719). English translation of Lumina zeloasÄ (= Zealous Light), op. 63 no. 3 (2017), a neoromantic art song for tenor and piano on a poem by Romanian contemporary poet Ioan Moldovan. Appropriate for students, to get them accustomed with modern music. Duration: 4 min. Performing Rights Organization: SOCAN.
$3.99
3.72 €
#
Adrian Gagiu
#
"Zealous Light", op. 63 no. 3
#
Adrian Gagiu
#
SheetMusicPlus
Piano Sonata No. 5, op. 81
Piano seul
Instrumental Solo - Level 5 - Digital Download SKU: A0.1091262 Composed by Adrian G…
(+)
Instrumental Solo - Level 5 - Digital Download SKU: A0.1091262 Composed by Adrian Gagiu. Classical,Contemporary. Individual part. 28 pages. Adrian Gagiu #695427. Published by Adrian Gagiu (A0.1091262). Piano sonata in Neoclassical style, developing the themes briefly tried out by Beethoven in the slow introduction to the Finale of his Sonata No. 29 op. 106 (1818). This first movement (Allegro moderato) utilizes the first two of those melodic and textural scraps as the two themes of a sonata form in a mostly delicate, fantasia-like manner, with time signature ambiguity and alternance. The second movement (Allegro) utilizes the next two of those melodic and textural scraps as the two themes of an agitated 'scherzo' in G sharp minor, with allusions to Bach's Prelude in C minor from the second book of 'The Well-Tempered Clavier' and to Beethoven's Bagatelle in G minor, op. 126 no. 2. The Finale (Largo - Allegro ma non troppo) utilizes first the searching sections of that Introduction, as an enigmatic preparation of the big surprise in the Finale proper: a set of nine, mostly powerful variations on a tone row, yet treated not entirely with the twelve-tone technique, but in extended tonality context. Variations 2-5 allude to motifs from the themes of the previous movements. The mp3 is a self-made recording of the first movement using a Graf 1826 fortepiano sampled by Modartt's Pianoteq. Performing Rights Organization: SOCAN. Total duration: 19 min.
$12.99
12.12 €
#
Piano seul
#
Adrian Gagiu
#
Piano Sonata No. 5, op. 81
#
Adrian Gagiu
#
SheetMusicPlus
Cantata "Doina", op. 52
Chorale TTBB
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.1004730 Composed by Adrian…
(+)
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.1004730 Composed by Adrian Gagiu. 20th Century,Contemporary. Octavo. 204 pages. Adrian Gagiu #6447303. Published by Adrian Gagiu (A0.1004730). Cantata for mezzo-soprano, male chorus and orchestra (2014, revised 2021), in Neo-Romantic style with traditional Romanian influences. The lyrics (in the original Romanian and my own translation in blank verse) are from the patriotic, anti-traitors poem Doina by Mihai Eminescu. The music is illustrative of the poem's situations, gradually going from restrained lamentation through indignation and then to a call to awakening, followed by a final, heroic, and polyphonic peroration for orchestra, peacefully ended with a quotation from a well-known Christian Orthodox hymn.
$30.00
28 €
#
Chorale TTBB
#
Adrian Gagiu
#
Cantata "Doina", op. 52
#
Adrian Gagiu
#
SheetMusicPlus
"Holy Spirit, Ever Dwelling", op. 75 no. 3
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1004715 Composed by Adrian…
(+)
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1004715 Composed by Adrian Gagiu. 20th Century,Christian,Contemporary. Octavo. 4 pages. Adrian Gagiu #5213339. Published by Adrian Gagiu (A0.1004715). Strophic, church hymn in D major for mixed choir and organ, on verses by Timothy Rees (1874-1939). Ideal for Christian church services. Luminous, simple, soothing music, with slightly varied reprises. Duration: 5 min. Performing Rights Organization: SOCAN.
$7.79
7.27 €
#
Chorale SATB
#
Adrian Gagiu
#
"Holy Spirit, Ever Dwelling", op. 75 no. 3
#
Adrian Gagiu
#
SheetMusicPlus
"Lumina zeloasÄ" ("Zealous Light"), op. 63 no. 3a
Violoncelle, Piano
Cello,Piano - Digital Download SKU: A0.1004710 Composed by Adrian Gagiu. 20th Centu…
(+)
Cello,Piano - Digital Download SKU: A0.1004710 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and part. 6 pages. Adrian Gagiu #5041039. Published by Adrian Gagiu (A0.1004710). Arrangement for cello and piano of Lumina zeloasÄ (Zealous Light), op. 63 no. 3 (2017), a neoromantic art song for tenor and piano on a poem by Romanian contemporary poet Ioan Moldovan. Appropriate for students, to get them accustomed with modern music. Duration: 4 min. Performing Rights Organization: SOCAN.
$10.00
9.33 €
#
Violoncelle, Piano
#
Adrian Gagiu
#
"Lumina zeloasÄ"
#
Adrian Gagiu
#
SheetMusicPlus
"Ode To A Bug", op. 63 no. 1
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1004718 Composed by Adri…
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1004718 Composed by Adrian Gagiu. 20th Century,Contemporary. 14 pages. Adrian Gagiu #5298853. Published by Adrian Gagiu (A0.1004718). Ode To A Bug, op. 63 no. 1 (2015), is a humorous neoclassical lied for high voice and piano on a poem by Gene Tyburn. Appropriate for students. Duration: 4 min. The mp3 file is a MIDI mock-up. Performing Rights Organization: SOCAN.
$3.99
3.72 €
#
Adrian Gagiu
#
"Ode To A Bug", op. 63 no. 1
#
Adrian Gagiu
#
SheetMusicPlus
Madrigal "A Water Nymph", op. 75 no. 2
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1004705 Composed by Adrian…
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1004705 Composed by Adrian Gagiu. 20th Century,A Cappella,Contemporary. Octavo. 9 pages. Adrian Gagiu #4804957. Published by Adrian Gagiu (A0.1004705). A madrigal in A minor for choir a cappella, with lyrics from a fragment of Dunt: a poem for a dried up river by English poet Alice Oswald, and based on three themes from ancient Romanian rituals for summoning rain. Neo-Classical and modal harmonies, delicate textures, polyphonic and heterophonic passages, and a repetitive, ritualistic coda with massive and soft divisi. Appropriate for students' choirs. Duration: 5 min. Performing Rights Organization: SOCAN.
$7.00
6.53 €
#
Chorale SATB
#
Adrian Gagiu
#
Madrigal "A Water Nymph", op. 75 no. 2
#
Adrian Gagiu
#
SheetMusicPlus
Clarinet Sonata, op. 78
Clarinette et Piano
Clarinet,Piano - Level 4 - Digital Download SKU: A0.1004722 Composed by Adrian Gagi…
(+)
Clarinet,Piano - Level 4 - Digital Download SKU: A0.1004722 Composed by Adrian Gagiu. 20th Century,Contemporary,Jewish. Score and part. 48 pages. Adrian Gagiu #6204609. Published by Adrian Gagiu (A0.1004722). Sonata for Clarinet and Piano in E flat (2020), a neoclassical, modal composition based on the Klezmer and Romanian musical traditions. It is a peculiar mix of classical forms and procedures, melodic directness, learned character and whimsical dance-like sections, majesty, ponderousness, lyricism, bittersweet humor, and vivaciousness. The movements: Andante ma non troppo, Allegro moderato, Allegro vivace e scherzando. The mp3 audio clip is the third movement.
$20.95
19.55 €
#
Clarinette et Piano
#
Adrian Gagiu
#
Clarinet Sonata, op. 78
#
Adrian Gagiu
#
SheetMusicPlus
Suite from the opera "Hamlet", op. 64a
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.
$100.00
93.34 €
#
Orchestre
#
Adrian Gagiu
#
Suite from the opera "Hamlet", op. 64a
#
Adrian Gagiu
#
SheetMusicPlus
"Ode to a Bug", op. 63 no. 1a
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1004712 Composed by Adrian Gagiu. …
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1004712 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and part. 14 pages. Adrian Gagiu #5041061. Published by Adrian Gagiu (A0.1004712). Arrangement for cello and piano of Ode To A Bug, op. 63 no. 1 (2015), a humorous neoclassical lied for high voice and piano on a poem by Gene Tyburn. Appropriate for students. Duration: 4 min. Performing Rights Organization: SOCAN.
$10.00
9.33 €
#
Violoncelle, Piano
#
Adrian Gagiu
#
"Ode to a Bug", op. 63 no. 1a
#
Adrian Gagiu
#
SheetMusicPlus
"Te Deum", op. 5 (parts & vocal score)
Choral Choir - Level 4 - Digital Download SKU: A0.1204466 Composed by Adrian Gagiu.…
(+)
Choral Choir - Level 4 - Digital Download SKU: A0.1204466 Composed by Adrian Gagiu. 20th Century,Baroque,Christian,Classical. Octavo. 370 pages. Adrian Gagiu #802933. Published by Adrian Gagiu (A0.1204466). The orchestral parts and vocal score of a Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 voices, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 3rd movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
$30.00
28 €
#
Adrian Gagiu
#
"Te Deum", op. 5
#
Adrian Gagiu
#
SheetMusicPlus
'Donna Diana' Overture
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1136831 Composed by Emil von Re…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1136831 Composed by Emil von Reznicek. Arranged by Adrian Gagiu. 19th Century,Classical,Romantic Period. Score and Parts. 129 pages. Adrian Gagiu #736820. Published by Adrian Gagiu (A0.1136831). The charming and fun overture to the opera Donna Diana (1894) by Emil von Reznicek (1860-1945) was revised now in premiere to make it more flowing and coherent especially in its rushed passages, with less flashy orchestration and with reshaped slow introduction and development section. Following the traces of the original concert favorite, it may work better now as a concert overture or an engaging stand-alone showpiece for professional and advanced amateur orchestras.
$49.99
46.66 €
#
Orchestre
#
Emil von Reznicek
#
Adrian Gagiu
#
'Donna Diana' Overture
#
Adrian Gagiu
#
SheetMusicPlus
Symphony No. 8, after Beethoven's sketches, op. 80
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1038395 Composed by Adrian G…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1038395 Composed by Adrian Gagiu. Classical. 451 pages. Adrian Gagiu #643336. Published by Adrian Gagiu (A0.1038395). Throughout his career, Beethoven made dozens of concept sketches for many movements of symphonies, besides those for the completed nine compositions of that genre. In the period 1812-1816, mainly during the composition of the Seventh and Eighth Symphonies, there were three recurring such projected works in his sketchbooks, namely in D minor, E minor and E flat major respectively, and remarkably with sketches for more than one of their movements. The present symphony in late Classical style is based on those projects, making use of all their themes in a âcombinedâ symphony in D minor and thus with peculiar tonal relationships. The incentive for this new work in the Classical idiom was in the quality and potential of some of the sketches, especially the one included now in the main theme of the slow movement. Some of the sketched material was subject to transpositions and adaptations to fit the formal outlook, and to editorial choices for the unclear pitches and durations. This publication includes the score and parts. The sketchbook sources for each passage are mentioned at the bottom of the score. Total duration: 36 min. Performing Rights Organization: SOCAN. The mp3 recording is the third, slow movement.
$100.00
93.34 €
#
Orchestre de chambre
#
Adrian Gagiu
#
Symphony No. 8, after Beethoven's sketches, op. 80
#
Adrian Gagiu
#
SheetMusicPlus
"Magnificat", op. 19
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.1004731 Composed by Adri…
(+)
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.1004731 Composed by Adrian Gagiu. 20th Century,Christian,Contemporary. Octavo. 48 pages. Adrian Gagiu #6452545. Published by Adrian Gagiu (A0.1004731). Solemn motet in neoclassical/neobaroque style, for mixed choir doubled by 3 trumpets, 3 trombones, strings and organ, with polyphonic sections alternating with celebratory ones and sometimes using ecstatic, quartal harmony (mostly in the final Doxology).
$15.00
14 €
#
Adrian Gagiu
#
"Magnificat", op. 19
#
Adrian Gagiu
#
SheetMusicPlus
<
1
26
51
76
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
